For the second consecutive season, Chanel created an idyllic park upon the grounds of the Étrier de Paris equestrian facility, replete with enormous whirling pinwheels and pastel pink marshmallow-like poufs, in collaboration with French installation designer Xavier Veilhan, within the spacious, loft-like setting. The tweed, the suiting, and the demure glamor are instantly recognized and familiar characteristics of a Chanel presentation, however the remainder has completely transformed. It’s like going to visit your most stylish friend’s house after not seeing each other for many years. The show was hosted in Paris’ Bois de Boulogne park, with a pleasant sensation of déjà vu. Using rounded shoulders, geometric designs, tailoring, and haute couture long dresses, the 1930s themes were revisited, especially in the items created by Mademoiselle Chanel at that time. The 1932 Haute Joaillerie jubilee line was used as inspiration for the jewelry, which matched flawlessly with the lace gowns. This was an additional homage to the house’s origins, and in particular to Coco Chanel’s one-and-only Diamond Jewelry collection from 1932. This line while paying homage to all the traditional aspects, also surprised us in a way. Whether it be traditional or modern we know to expect something absolutely beautiful from this company, and they delivered.