Guo Pei effortlessly transitions between reality and fantasy, akin to passing through a doorway. In her recent presentation at the Cirque d’Hiver, she fully immersed herself in a wonderland, transforming the venue into a gateway leading to Elysium, a paradise found. At the center, an organic chandelier crafted from intertwined tree roots, a creation by French papier-mâché artist Charles Macaire, adorned the setting.
Displayed were dresses woven from bamboo harvested in China’s Huangshan mountain forests, intricately adorned with golden flowers, followed by 22 more dresses, all inspired by flora and richly embellished. Guo’s interpretation of florals exceeds conventional boundaries. Contemplating life as a quasi-mystical force, she directed her seasonal creations, allowing handcraftsmanship to flourish in its most exuberant form.
Each ensemble showcased innovative applications of techniques the Chinese couturier harnesses for her clientele: appliqués, beading, pleating, and fringing. Models, perched on transparent chopines, resembled blossoms in an abundantly vibrant garden. Some dresses resembled blowsy peonies, while others were adorned with pearly drops or intricately climbing blooms.
The finale featured an immaculate gown adorned with trailing crystals, gracefully gliding on the circular runway. As models encircled the platform, a djembé performer appeared, feathers fell from above, and the applause reverberated, matching the energy of a spectacular performance.
